Nosferatu Review
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Nosferatu (2024) is a remake of the 1922 F.W. Murau’s film of the same name. This time at the helm is Robert Eggers. He’s the director of The Witch, The Lighthouse, The Northman, and now… The Nosferatu. He typically does folk horror, but with The Northman he branched out to an epic viking saga whilst maintaining this atmosphere of religious superstitions that Nordic people would’ve held. Now he tackles the Germanic interpretation of Dram Stoker’s Dracula in Nosferatu. When asked what the difference between Nosferatu and Dracula is, the answer usually lies in atmosphere. Dracula is usually a more horror approach while Nosferatu is more of a gothic, dreadful take on the same story. 1922’s Nosferatu is by all means a cult classic that practically gave us what horror is today. Max Schreck’s performance and design as Count Orlok is still such a striking presence when watching. The long fingers, how pale he is, the sharp teeth, the wide eyes, the pointed ears, how rigid he is w...